Just passed the eight year anniversary of my quitting alcohol (and most, but not all, other drugs [I’ve subsequently quit the rest of them too, but this isn’t the anniversary of that]). Feeling pretty good about it! Didn’t even have those ‘drinking dreams’ that sober people often get around their anniversary. The alcoholics know the ones I’m talking about: the ones where you relapse and are like oh nooooooooooooooooo.
I think sobriety is…really good. If I wasn’t sober today, I doubt I’d be married. I might’ve published a few short stories, but I wouldn’t have published a book. Probably wouldn’t have an MFA or any money in the bank. Wouldn’t have my mental equilibrium. And most importantly I probably wouldn’t have the fuzzy widdle kitty we just got! His face is so fuzzy! I like to kiss it.
Yes, two weeks ago Rachel and I got a cat, suckas! Little known fact: I LOVE cats. But since leaving my parent’s home, I’ve never had one. It’s shockingly easy to adopt and care for a cat. I mean I was shocked. We just went to the SPCA and this cute little 6 mo black cat jumped off his perch and meowed at Rachel. We played with him a little bit, and then he was oursssssssssss. We call him Schubert. Partially because of the composer Franz Schubert, who is one of Rachel’s favorites, but mostly because Schubert is a really silly name. Personally I call him Schubie, Schoobs, or Schubie Doo.
Schubie is good cat. He sleeps on our bed, and he likes cuddlesszzes. That’s pretty much all you need in order to be a good cat I think.
In other news, I am writing. WRITING. The other day I was having a trouble with a scene that just wouldn’t quite come out right. The characters wouldn’t do what I wanted them to do, and then I realized something: I just need to relax. The characters need room to breath. To wander. To be lost. I need to dare to be less dramatic.
This is a lesson I’m continually learning in my writing: dare to be less dramatic. Dare to pull back. Dare to miss the big moment. Dare to scale things down. Now that I’ve adopted this mantra, I’m constantly noticing areas where it can be applied out in the wild. For instance, have you ever noticed how many movies and TV shows (particularly for teens) feature kids who are big movie stars? It’s totally a thing. Now that I’ve mentioned it, you’ll see it all the time.
And each time I’m like, that’s cool and all, but why are they always the star of some big blockbuster? Why not a side-character on a TV show? Why not the understudy in a Broadway musical? Why not the pitch-person in a nationally-broadcast commercial (think the “Can you hear me now?” guy)? Why do they always have to be at the apex of fame? There’s nothing wrong with that choice, per se, but it’s still lacking in subtlety, and its very grossness forecloses so many story options. For instance, if you’ve got the equivalent of Miley Cyrus walking around in your story, everything is gonna be about that. There’s gonna be bodyguards, fans, stalkers, fanfare every second. But if instead you’ve got a minor star, then the story breathes a little bit more. They’re able to be normal sometimes. There’s less distance between the characters.
Of course, I’d probably downscale even more and take out the ‘fame’ thing entirely, since unless a book is specifically about pop culture in a broader sense, it’s generally hurting more than helping.